Abstraction and Empathy

English language

Published 1960 by Penguin Publishing Group.

ISBN:
978-0-452-00249-4
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5 stars (3 reviews)

In this text, Worringer identifies two opposing tendencies pervading the history of art from ancient times through the Enlightenment. He claims that in societies experiencing periods of anxiety and intense spirituality, such as those of ancient Egypt and the Middle Ages, artistic production tends toward a flat, crystalline "abstraction," while cultures that are oriented toward science and the physical world, like ancient Greece and Renaissance Italy, are dominated by more naturalistic, embodied styles, which he grouped under the term "empathy." As was traditional for art history at the time, Worringer's book remained firmly engaged with the past, ignoring contemporaneous artistic production. Yet in the wake of its publication-just one year after Pablo Picasso painted his masterpiece "Les Demoiselles d'Avignon"-"Abstraction and Empathy" came to be seen as fundamental for understanding the rise of Expressionism and the role of abstraction in the early twentieth century.

3 editions

A Groundbreaking Work

5 stars

This is the work that gave the final blow to classicism in visual art. German expressionism stems from the writing, and Wyndham Lewis, the founder of Vorticism, read Worringer's works and was hugely inspired by them.

By arguing for the case of Abstraction, the visual arts of the Western tradition were finally led back to their Platonic tradition from the Aristotelian classicism, and beyond that, by tracing the origin of forms in art to artistic will.

It is also a work that should be regarded as proto-psychoanalysis. Even if Freud had already founded the discipline named "psychoanalysis" by then, now it should be clear that psychoanalysis is a result of the confluence of several strands, one of which is the aesthetics in the tradition of Schiller and Nietzsche. Abstraction and Empathy fully employs the psychologizing tendency of the German thought of the days, and should be regarded as …

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Subjects

  • Aesthetics
  • Art Criticism
  • Philosophy of Art
  • Proto Psychoanalysis